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  4. akoaki:

    Electroform(alism) ornament prototype #24. Out with dreary formal asceticism! 

     

  5. akoaki:

    Paradise Valley Is Live. Starting gun on the Carr Center project in Detroit. A platform for the dissemination of vibrant, contemporary African American culture. Working without precedent.

     

  6. akoaki:

    The Beta Movement. Installation at the WUHo gallery on Hollywood Boulevard in LA. 

    In winter 2011, we were invited to produce an architectural exhibition for the WUHo gallery - a small storefront venue on Los Angeles’s storied Hollywood Boulevard. Against a backdrop of consummate glitz – the setting for the Academy Awards, the unremitting stars on the Walk of Fame and the unbridled spectacle of Hollywood’s canonical theaters – the gallery seemed quaint, humble, let’s say, invisible. In this context, architecture’s formal preoccupations appeared outmoded against the force and vitality of performative conspicuous consumption. Confronting the audacity of the streetscape, and the indiscernibility of the architectural exhibition space, we focused on deployable performance as spatial strategy.

    As a consequence, in lieu of a polite architectural exhibition, we staged a spatial transformation. We called it The Beta Movement. Part scenographic intervention, part inhabitable supergraphic, the installation cast aside conventional notions of architectural connoisseurship in favor of a direct engagement with the multiple publics.

    We imagined the project as a grand-scale temporary self-propagating photomaton, inviting tourists and Angelinos inside for their own red carpet moment. Stars plucked from the famous sidewalk and projected through the gallery, producing a series of spatial distortions that are replete with filmic references to superheroes, hyperspace, hypnotism, evil lairs and astrophysical singularities. Upon entry into the space, the rough qualities of the exposed construction reveal the temporary nature of the illusion. Cutting from one void to the next, visitors mad their way to a projection room where video and text describe the formal procedures at play.

    in collaboration with Steven Christensen.

     

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